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    21/06/2006

    Cats, Mice and Games

    I had lunch with Kat - Kat Brown, who's not a cat but has them. So, she and her boyfriend (who's also not a cat) together are in the cat Brady Bunch mode... each have a couple and together they are growing into a grand catfamily. I love the stories she told me about her kitties and the things they do. Most of all, however, I was touched hearing about her strong cat, Miss Bugaboo, who has survived cancer, thanks to Kat's amazing persistence and compassion. Its a great story to hear about a pet-mommy who really cared and worked hard to make her cat outlive this rampant platform non-specific disease. More about Miss Bugaboo on her site: http://www.missbugaboo.com/
     
     
    It reminded me of the nurturing and compassion I learned from my human Miss Bugaboo, Tracey (I have a new name for you, Angel-girl) who spent ooples of energy taking care of the late and amazing Greyhound, Atticus, who we all miss soooo much. Tracey herself battled cancer for so many years, surviving waves of chemo and even a double mastectomy, and she did it with grace, deriving so much of her strength from the beloved Atticus. Atticus had ailments, thorns in the paws, all kinds of trouble, even a little doggy wheelchair at one point, but Tracey never let up on the care.
     
    These two pet-people speak strongly of a natural relationship between animals and humans, which allow for powerful energies to coalesce and bring positivity into our worlds. We have a lot to learn from our pets - loyalty, trust, patience, independence, protectiveness for those we love. They can potentially gain a lot more than shelter and food from us, if we let them.
     
    On to the topic of mice. (bad transition, but oh, well...) I don't have mice in my house anymore. Thanks G! I know he wanted to keep the mouse as his pet, but maybe he can do better with a Chihuahua.
     
    Games -- so in my travels, I came across an amazing little shop in Redmond, which is a chain, but this one had cool people in it... so this is the one I will go back to. So, I met Jodie at Uncle's Games, who not only introduced me to emoticon dice and the Pirates Game... but also got me into Perplexcity. Perplexcity is a collectible card game that has an incredible range of puzzles and if you keep solving them, you are on your way in the treasure hunt (which is in a physical city location, I believe) to finding a mystery cube which will yield you $200,000!! Jodie was so awesome, I spent a couple of hours at the shop watching adults and kids play little games, and looking at the huge assortment of chess sets... then I began helping with some of the cards that Jodie has compiled with her boss, as they attempt to find the cube too! It was so much fun. One card and I was hooked. You can be too... they have online cards -- check out www.perplexcity.com. Its natural for MS people to gravitate to such treacherous frivolity in the throws of passionate thinking -- so come by and join my game.
     
    Vidya
     
     
     
     
    20/06/2006

    Fundas on Bharata Natyam Critique

    This blog was inspired by responses to two emails I recently received regarding good vs. bad dancing. (I don't believe that good vs. bad is anything beyond opinion and perspective, but that's a longer discussion. I will limit the scope of this discussion to Bharata Natyam quality. So here goes...)
     
     
    I re-read Michael Crichton's State of Fear recently, in which one of the characters talks about the Ecology of Thought. You see, his character was a renowned professor who was studying the life of ideas within a culture. Everyone believes something to be true, or standard, until it is challenged. Then, as more and more population adopt the challenged version as the new standard, the old eventually retires and ceases to exist -- virtual extinction, if you will, hence, the ecology of thought. When applied to dance, you have to realize that according to some traditionalists out there, Kalli Mama's early experiments with mom were considered heresy. Padma Subramaniam was originally completely unacceptable for many gurus and performers of her earlier era. Prior to that, even Rukmini Arundale was considered a status breaker and was not necessarily respected for her contributions to what dance is today.
     
    To shed some light on what we term so-called "bad dancing", one must review some of the historical Bharata Natyam exponents - the famed prima donnas of its history - Bombay Meenakshi, Kamala Laxman, Yamini Krishnamoorthy, and going farther back, the devadasis who inspired generations of dancers - such as Balasaraswati, Indira Rajan and the like... they were not necessarily all that, when compared with how people today dance. If they took the stage today, some might critique that their style appears lazy, slow, or awfully jumpy and some had aggravatingly bad abhinaya technique (except Bala who I feel will be a perpetual genius in bhava) when compared with what we believe to be a higher standard for today.
     
    What exactly are we using as our criteria for "good Bharata Natyam"?
    • Is it adavu execution? And within that, are we automatically using ballet metrics against dancers' posture and limb placement? Is it the abhinaya of that adavu? Pre-dating the 1920's such metrics never existed. Historically dropping your elbows was not "wrong" nor was "not sitting" and "smiling" was never an issue. Many devadasis preferred the "come hither" look for their business as opposed to the smile.
    • Are we examining choreography? How does that relate to a dancer, if the dancer's work was choreographed by someone else. How does holding the dancer responsible for who teaches her turn out to be fair judgement? Isn't that like accusing the young child of an untouchable, simply for being born? Often, a child doesn't choose her teacher. The choreography itself, depends again on the range of exposure the choreographer has had in the field. Or her imagination. I find choreographers to be like authors... they gravitate toward genres, just like authors do. Some clearly are Sci-Fi and Fantasy (Mom and I) , some are Western (slightly jerky), some are romance writers (very abhinaya focused - often Odissi choreographers; others are medical or mystery or horror (nuff said there.) So when we categorize them in this way, we understand the appeal better - because like readers, audiences gravitate to styles they enjoy. One size does not, and cannot fit all.
    • Do we unconsciously expect communication from the dancer to fill our senses? Some styles call for very clinical rendition, and that's just what they are, others are more in flow with a different kind of texture. Ours is slightly extrasensory, if you will. Our colloquial expectations may require a reset. I recently read about a new author who has released a study of The Sadhana of the Nine Emotions. He discussed our 9 rasas elaborating on the natya shastra and the journey a soul takes through these emotions to achieve peace. This was supplemented by Scientific American Mind magazine's study of how we feel what we emote. The expectation of what we project to the world often neurologically overrides what we actually originally felt prior to the expression, thereby replacing the original emotion. This might explain the spontaneous crying some of us experience when we are performing certain numbers. But again, that is one way of doing it... there are others who believe if you allow the character to overtake your actual emotional space, then this is "bad dancing."
    What I am trying to sort through is our expectations and the criteria which causes us to judge good vs. bad. I have always had a difficult time with passing judgement in the sense that we really shouldn't unless we have examined our impulses and determined a measurement system that makes sense of the subjective. While all of this sounds over-analytical, at the end of the day, the better choice is to not judge at all... each dancer was a child with a hope of spending a lifetime sharing the happiness they gained from learning dance. Each dancer is now a human aiming to express him or herself in some way, and to express the mythology and culture of an ancient era. Each dancer deserves to exist. And so, do we really have a right to prune them? With the power that an elder wields, is it karmically acceptable to bring someone down and crush their dreams or to tear their beliefs down? Who gave the elder that right? Are some dancers comical? Maybe ... but then we could be equally comical to The Higher Power(s) watching us, isn't it?
     
    My $.02 for today.
    18/06/2006

    Father's Day Weekend...

    I suppose if Dabby were still alive, this would be his favorite weekend ever, with me. I have been roaming about, staying on the water as much as possible. Took a boat into Puget Sound yesterday, which was totally fun and relaxing... the night before I hung out on the beach at Lake Washington at twilight. It feels a lot like Upper Michigan here... people are sweet, strangers are helpful and endearing, and the beer is very good.
    So yesterday, I did finally go to the Sci Fi Museum and the Experience Music Project under the Space Needle in Seattle. The EMP has a really cool guitar tree and a nice old skool hip-hop historical display room. There's also a very, very cool guitar museum within... with like really old steel guitars and some of the earliest inventions of the big names we are all familiar with today. It was pretty interesting, but the exhibits that took my breath away were the Rock Poster collection... and the Jimi Hendrix experience. What a dramatic life... he died so young after opening our eyes to the potential of electric guitar. I wonder "what if?"
     
    Which brings me to the coolest place of all (I could just live there)... the Sci Fi Museum. OK, so there are amazing displays including one called What If? which is about the basic science fiction premise. Every writer has to begin with answers to a question they build beginning with What If? In addition to this display, are displays of the history of sci-fi, highlighting some achievements in science, made possible by the visionary fantasies of a writer engaging real scientists. There's an interesting Nanotech study, Gender study, Apocalyptic Sci Fi  (my face)display, and a display celebrating Sci Fi Fans... unlike any other genre. There are even more luscious collections presenting costumes, weapons, transportation, robots, and aliens. I had the most fun ever... and then serendipity brought me to a room where author Neil Gaiman was hanging out with this year's Hall of Fame inductees! I met the engaging Elizabeth Ann Scarborough, who signed my Cleopatra 7.2 and Neil Gaiman signed my American Gods -- with the following: "Vidya -- Dream Dangerously." Don't worry, Mr. Gaiman... I do dream dangerously. Anne McCafferty and Kevin J. Anderson were also in attendance among others. Yup, my dad would have loved this whole weekend. I really needed the unwinding, so I thank the universe for Microsoft (the greatest company ever) and its emphasis on Work-Life balance. I think I get it now.... finally.
    I am off to the Center for Wooden Boats which boasts a fun Maritime museum. Let's see if I can squeeze more water in before my flight tonight.
     
    XOXO to all.. Happy father's day to alll you dads out there and to mine who is above us, but always with me.
     
    VS
     
    15/06/2006

    Open Mic Night

    So, after the most back-to-back meetingest day ever, much beer was in order. However, Mr. Rogers clued my compatriot Leo and myself into a Radio Shack decomm. Well, of course each of us determined it was fairly critical to pillage what loot was left from the significant price dives.
     
    While there, i saw some mic cords and XLR adapters, called G, called Bhaiyya, but looks like they were both stocked up well and ... things are just cheaper in Detroit. (Lord, please rescue my hometown. They need jobs so our price points can increase too..)
     
    Radio Shack sufficiently scoped out, we turned our attention to a MS frequented bar called Daman's. Of course, Leo is a whiteboard fanatic, who plans to take over the world, one whiteboard at a time. So while I was eyeing the menu, Leo was thinking where are the eraser and markers for this thing? (see photo of whiteboard Menu and Leo wishing he had markers.)
     
    We gossiped and then Dan joined us for a very robust conversation about many detailed nothings, quite Seinfeldesque, indeed. It was both entertaining and educational, though I think I might have poked him too much. But that's the price of comedy. And he's a terrific sport about it.
     
    So then I sang. Yes.... Nunni!!! I drafted myself with no prodding to hit the mike with a local guitarist there, who played wonderfuilly. I did one of my own songs... Come With Me.... in A minor, and this one guy with lovely dreds then came up to kunnukol/beatbox and we got some of the crowd clapping to the song... it was so nice to be doing that again. I had forgotten how much fun it was to sing to strangers where no one knows you and see how they receive your work. I never explained the theory of the kharaharapriya ragam or the random pa dha ni dha pa ma pa ga re ga ma... work, but this serves as proof that music touches the soul and crosses boundaries.
     
    Anyway, then some others were miking at it was cool, as there were two Doors songs... and we were all pleased.. they played Riders on the Storm.. which reminded me of Rajan and Light My Fire, which Dan keyed out on the table.  You could tell that he has the seasoned fingers of a former pro keyboardist. It would be great to get him up someday and hear his work.
     
    So yes, looks like I may be up and running again soon. First it was Karaoke with Lisette, and now Open Mic Night is breaking me through. Maybe I have to start adding some of this unplanned singing stuff to my Wok-Life balance plan. Looks like I might just be starting to get a Life again.
     
    In other news, I am taking the weekend off. No cross-time-zone flights. Just sleeping and touring is planned. I will update you.
     
    Hey... Is Megha OK?
     
    V
    13/06/2006

    Why Friday the 13th is unlucky

    Maybe for Friday the 13th to be a lucky day, it has to be a Friday. Maybe the observer has to be lucky. Maybe the 13th is just lucky for the 12th and the 14th because they aren't the 13th. Maybe if I blow with all my might at the sky, the clouds will float away.
    05/06/2006

    Shoes and life

    Shoes start off tight. Its a tough painful episode, which like a new shoe, just feels like it doesn't fit. It hurts, we struggle against it, it blisters, and sometimes breaks and scars. But if we keep our vigil and wear it through the adjustment period, we learn to bend and the shoe also softens to our step. We learn together to navigate the long journey ahead.
     
    Hmmmm. sounds a lot like some of the situations and people we face in life, doesn't it? Maybe there's more to the female shoe-addiction than meets the eye. Or maybe there isn't.
     
    :)
     
    VS